For the past few weeks much of the UK has been subjected to some truly dismal weather. Although technically we’re heading into spring it feels as though we’re still floundering in the bleak midwinter. Here in North Wales, after two weeks of freezing rain, cutting winds and sleety showers we’ve taken to donning our warmest woollies and socks and nesting by the fire in true wintering style. While the elements have been relentlessly pounding at our windows, a wonderful song has come to mind. But this isn’t just any old tune: it’s the earliest known secular song in the English language, and it’s all about rotten winter weather.

We’ve spent a lot of time wintering by the fire lately!
Dating from the first half of the 13th century, ‘Mirie it is while sumer ilast’ has a curious story, as it owes its very survival to a stroke of good fortune. The parchment on which the song was written had been torn from its original (now lost) book and added as a flyleaf into a completely unrelated manuscript. Its new home was a 12th century Book of Psalms, which today resides, albeit in incomplete form, within the Bodleian Library in Oxford as part of the collection of an 18th century antiquarian named Richard Rawlinson (d.1755).
The musical page, which also included two French songs, was discovered in the Book of Psalms and was brought to the attention of scholars at the start of the 20th century. The surviving fragment of ‘Mirie it is’ had clearly weathered some damage, looking somewhat worn and torn, and what remains consists of the music, a few vague notations and a single verse. Luckily, however, it was just enough for the experts to work with, and after much analysis and study the song was painstakingly recreated and arranged for us to enjoy for all time.

The single manuscript source for ‘Mirie it is’, looking a little battered and bruised, but it survived to tell it’s melodic tale.
The song begins with memories of summer when the birds sang, conjuring images of long warm and joyous days of abundance, before going on to lament the encroaching dreaded winter with its harsh weather and short days. Many of us will identify with that, but it seems rather poignant when you consider that during the Middle Ages the darkest months could mean exposure to freezing temperatures, deadly illness and severe hunger through a lack of fresh food and dwindling stores. In short, winter could decide whether you lived or died, and this little ditty gives us an evocative snapshot of the medieval struggle to get through nature’s most cruel season.

Mirie it isn’t… Winters were hard in the Middle Ages.
The single verse is written in Middle English, which you can read below alongside a modern translation. The recording is from my favourite medieval music album, so you can listen along and let your mind wander back to winters long ago. As you’ll discover, despite the seasonal threats of those precarious times, this chirpy song still manages to cheer the soul. Who knows, maybe medieval folk danced along to its tune to keep warm as the nights drew in!
Mirie it is while sumer y-last Merry it is while summer lasts
With fugheles son With birds’ song;
Oc nu neheth windes blast But now draws near the wind’s blast
And weder strong. And weather strong.
Ei, ei, what this nicht is long! Ei, ei, what, this night is long!
And ich with wel michel wrong And I with very great wrong [illness?]
Soregh and murne and fast. Sorrow and mourn and fast.
For Christmas I was given a rather beautiful soprano recorder, crafted in plumwood, from the Early Music shop in Bristol. One of my goals this year is to learn to play some medieval music, perhaps even to wander in the greenwood and serenade the wildlife with tunes from centuries ago (that’s if I don’t scare them all away!). And this, the earliest known English secular song, written way back in the early 1200’s, is one of the first pieces I want to learn.

Recorders were a key medieval woodwind instrument, as depicted in this detail from a Spanish altarpiece, La Virgen con el Niño, dated to c.1385.
[Source]

My beautiful new plumwood recorder gives an authentic medieval sound – if you play it properly! I’m working on it…
Today, in the middle of February 2026, it’s still cold outside. We’re told to expect snow tomorrow and even more rain over the coming week. However, when I looked out this morning, for the first time in what seems a very long while the sky was a bright, yawning expanse of blue. For a precious few hours, the landscape was bathed in sunshine, the fragile rays of hope. Before the afternoon clouds rolled in, our brief wander in the not-so-greenwood was blessed with golden light, a hint of solar warmth and the promise of brighter days to come. So I’ll take that, for now. Mirie it is…

That song was excellent, I was transported to the 1200s! this is so fascinating for me, I have often wondered what life was like during those centuries. In elementary school in the early 1970s, we were given recorders and had to play them in class.
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Thanks John! Glad you enjoyed the song and its story. The medieval era is the most fascinating of all for me and it’s given us some of the most wonderful stories and artefacts to treasure.
I remember those dreaded school recorder lessons too, and I can happily say the true medieval sound is much nicer, so haunting and evocative. I’m doing my best to emulate the special sound, but in the meantime my family have been amply supplied with earplugs! 😉
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Earplugs… I’d love to hear you learning! I’m sorry you too suffered the Recorder thing! 😂 Imagine being able to transport to that era instantly to experience it. Wow…
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I actually enjoyed my recorder lessons and was glad to learn an instrument. I was a bit miffed it wasn’t something exciting like the violin though – my friend played that and I always wanted to.
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Another wonderful little post my Love. All I can say about the weather recently is Yuck… Mirie it isn’t indeed. I’m very happy to be wintering in front of the fire and I hope those in the Medieval period had a chance to do the same – with a glass of Mead in the hand.
Having heard your progress on the Recorder, I’m 100% certain that when you do serenade the woodland wildlife, they’ll have nothing to worry about.
XXX
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I found the language comparison interesting – the ‘Middle English’ looks to have a few languages thrown in – it looked like some German, some Gaelic or Welsh and some Scots. I find that kind of thing fascinating – maybe I should do some language study in the evenings or something – time I took up studying again.
Great post as usual! The guy in the picture sat by the fire looks like he’s also drying and warming his soaked feet! I can certainly empathise with him there!
We had sun and snowy hills yesterday and I had a nice walk in it but there were thousands of tourists everywhere so, in a way, I preferred today when it was miserable, the snow had all washed away (which was a shame) but it was really, really quiet!
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Oh yes – the recorder – I’ve got two recorders with various drawbacks and virtues. My descant (soprano) recorder which I’ve had since my primary school days is great as it’s a wooden body with a plastic mouthpiece – my ideal combination as I find the all wood ones a bit too mellow for me. My parents both had all wood recorders and I used to play those too. But then they bought me an all-plastic Aulos treble recorder. I love the tone and pitch of it but it doesn’t half suffer from condensation – I’m always having to blow it through backwards to clear it as it just won’t play when condensation forms. I believe it’s a common problem with the plastic ones.
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I love this so much and I really needed it today, actually RIGHT NOW not because our winter has been bleak and cold, but because it’s been a lousy day in a challenging week. Hearing this? I love this language. It’s true transportation. Your recorder is beautiful — Thank you.
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